NEERJA (the akin within the unakin.)
Directed by : Ram Madhvani
Written by: Saiwyn Quadras, Sanyuktha Chawla Shaikh (dialogues)
Starring : Sonam Kapoor, Shabana Azmi, Jim Sarbh
“Babumoshai, Zindagi badi honi chahiye,
lambi nahi.” When all the people who watched NEERJA, related this statement to Neerja Bhanot’s (Sonam Kapoor) gut-wrenching scenario
turned ‘I’m-gonna-save-‘em-all’ temperament; I saw director Ram Madhvani apply this aphorism to his
movie-making process for the film. Yes, it is a two-hour long movie. Long, but Great
in spirit.
The film starts with a melody in
Neerja’s lips and a twist in her mom’s, (Shabana
Azmi) soothing laugh. Taking a dig at Neerja’s childhood. Oh wait, but do I
have to? She mimicks Rajesh Khanna’s moves
and with a child-like humour, dimisses away her brother’s jest over her
appearance, with a teasing touch. She is just twenty two. What we expect is a
similar innocent future for a model-cum-airhostess. But time possess a
mocking deception, and even space contorts against the evil of it. Let alone a
human, seeking for, as the people say, ‘a bright career’.
Now there is a challenge. A marked
destiny for me. I will sweat the blood out. I will make it better. There
is a soulful blessing disguised as love which I will reciprocate. Why, I feel
my heart pounding faster. There are bodies with smiles on their faces and my
beaus are busy treating them fair. Things seem to go as planned. But now I see these men, with violence on their brows and smoked calibres on their palms. Gun
on my temple, the visitors feel violated. Have I landed on the wrong land or is
it the fate with a smirk? I must protect my kindred or die trying.
This is just the mind of Neerja which I
try, although vaguely, to uncover following her good-bye with the family. There
are elements noticeable in NEERJA which
distinguishes it from other much hyped about bollywood entries in the cinema
halls in 2016. From displaying a playful and zesty emotion to what I already
mentioned, a ‘gut-wrenching scenario,’ the mood of the audience is influenced
cordially with what director Ram Madhavani
attempts to portray. More attention on the sound effects could have uplifted
the building angst of the viewers, but keeping in mind the visual craft, this
flaw is easily neglected. Another very crucial factor adding to the pros of
this movie is the liberties which the actors took to make Neerja as real as possible. There is no irritating Aisha’s Sonam Kapoor. This Sonam
Kapoor is as brilliant as her sense in fashion. The game changer is the
antagonist: Khalil (Jim Sarbh). I
could never judge his (a foreign terrorist’s) linguistic problem to be faux.
His desperation and fatigue, only an effort of acting! If I were a hatter, I would gladly
call for a hats-off performance. What leaves a long lasting impact on the
viewers is the last message which Neerja leaves for her mother. You must
witness this impact by yourself. Teary-eyed, Shabana Azmi is all but a diamond
in the dark mine of Bollywood.
Twenty people lost their lives in this (Pain Amplified) Pan Am Flight 73 airplane in
Karachi. A boy pisses in his pants and a granny swells her eyes, credits to the
fear faced by the former and the misery of the deceased heir shot in front of
the latter. Grenades and AKs with willpower and a lasting numb cries of
hundreds, this movie does not gives you chills but an ache for safety of the
passengers over whom mankind does not lift its heavy hand. Some cinematographic
details are brutal while other strange turns in the nature of the rogues makes you wonder
if someday you can make millions watch an episode of beauty turned “Papa ka
bahadur bachcha” (Daddy’s brave girl).
P.S. If Airlift is a V8 powered Chevrolet
Corvette Stingray Z06 then Neerja is Bugatti Chiron with a behemoth W16.
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